I read this book.

1,001 books. 1,001+ thoughts about them.

#43 - The Corrections, by Jonathan Franzen

It took me a long time to finish reading this novel. Not because I didn’t love every word of it, but because of some phenomenon in which even though I was captivated on just about every page, and the writing is fresh and quirky and incredibly relatable, the actual pages flipped by slowly. I read it in hardcover, and it clocks in it at about 565 pages at that rate, and yet after 30 pages I felt as though I’d been reading for hours. Franzen packs so much reflection and discovery into every sentence, that the reader definitely gets her bang for her buck out of every word.

The Corrections is the story of the Lamberts of the midwest and their East Coast headed children. Being from a family of 5, the only girl in between two boys, I saw some major similarities between my family and the Lamberts. The dynamics between siblings about “helping out,” the constant combination of worry and resentment about your siblings and your parents, the body-crippling love you feel toward your family and the smoke-out-your-ears rage this love can sometimes produce - Franzen presents a completely specific and unique family that, while each character is entirely his or her own individual, represents so much about the traditional American family. Or perhaps any family at all. The screwups, the optimism, the disappointments, the projection of one’s own faults onto those of one’s family members, the resulting guilt - it’s all here.

One thing that struck me very strongly was the depth and breadth of Franzen’s research, and the seamlessness with which he writes about it all. From the array of Denise’s cooking, to Gary’s manic attempts at control, to the tormented psyche of 6-year-old Chip, to the thwarted pathways of Alfred’s Alzheimer’s-seized brain, to the indestructible optimism of a Midwestern mother, Franzen has created poetry out of an enormous capacity of subjects.

The Corrections is terribly painful but also terrifically rewarding. As in life, many of the book’s triumphs come at a heavy cost, and the book is ultimately a masterful manifestation of what it means to be a family in a society that puts such desperate emphasis on mental health, normality, and success. 

Beach Reads - Living Dead in Dallas, by Charlaine Harris

Still summer, still not reading anything of importance. I’m officially hooked on the True Blood books but I still haven’t forayed into watching the actual series. I’m worried the Sookie I’ve built up in my head won’t be played the way I want her to be by Anna Pacquin, even though in my head she’s a perfect fit. Also, Bill in my head is way sexier than Stephen Moyer and listen, I’m just not ruining that.

In the 2nd book in the series, Sookie and Bill take a bit of a trip to Dallas, TX, to figure out what the hell is going on down there. Answer: A lot. Think Westboro Baptist Church type stuff waging war on vampires. Sookie, of course, is a badass and scraps her way out of trouble with a little help from majorly masochistic vampire named Godfrey and a feisty Latina shapeshifter named Luna.

Throw in some great, er, intimate scenes with Bill and the budding sexual tension between Sookie and Eric and you have a beach read that’ll take you a couple of days to flip through - and weeks to get around writing your blog review for. 

Beach Reads - Dead Until Dark, by Charlaine Harris

Whenever I’m going through a tough time I tend to pick up specific, possibly silly things that take my mind off my emotions, and out of reality for a while. Harry Potter got me through the heartbreak of losing my first love. School plays got me through family illnesses in high school. A summer practicing archery got me through a particularly intense yearning for independence from home.

My dad’s had a stack of Charlaine Harris’s Sookie Stackhouse series in his office for over a year now, as True Blood is one of his favorite shows. I’ve never watched it. I’ve never been into the vampire thing. You’d have to pay me at least $500 to sit through a Twilight movie. But I’m having a rough time, and there they were, a high stack of completely fantastical books waiting for me to escape into.

Dead Until Dark, the first in the series, is a gosh darn good mystery thriller. Harris isn’t Charles Dickens, but she’s good at what she does. Her narrator is authentically Southern and sassy, and I wholeheartedly rooted for her. And the other characters, her lover Bill, her boss Sam, her brother Jason, the scary-sexy Eric, are all characters I’m looking forward to seeing again in the next book. The book moves just as fast as you want it to - deliciously suspenseful but action-packed and full enough of detail to create a clear picture of Bon Temps (where Sookie lives).

I’ve been told the show strays from the plotline of the books quite a bit, so I don’t think I’ll watch it, at least not until I’ve finished reading the series.

Beach Reads - The Virgin’s Lover, by Philippa Gregory

It’s summer, which can only mean one thing: beach reads! High literary handiwork and decades or centuries of critical praise is fun and all, but I, for one, could not subsist on vegetables alone. So this week, I indulged in a little confectionary dessert.

And boy is my system paying for it. You could say I have a sugar headache. Having read The Other Boleyn Girl, The Boleyn Inheritance, and The Constant Princess, and having found them all at least mostly delicious, I borrowed The Virgin’s Lover from the library excited for scandal, high stakes, and French hoods. What I got was 438 pages of Philippa Gregory’s most tried and true devices. 

Is it worth it to even break this down? It kept me distracted from life and continuing to read because it was as easy to swallow as ice cream, but one gets tired of characters always saying things “flatly,” “steadily,” or “blandly.” The sex scenes were laughably juvenile. Elizabeth I’s characterization was entirely boring. There wasn’t a single character as enchantingly hate-worthy and fascinating as Gregory’s portrayal of Anne Boleyn in The Other… And there was NOT enough description of bejeweled brocade.

But um, I’ll probably still read The White Queen once I can find a copy of it in the library.

#496 - Lolita, by Vladimir Nabokov

In Lolita, Vladimir Nabokov brilliantly manipulates the reader with prose that is simultaneously beautiful and horrifying. Nabokov’s writing is ironic, hilarious, dark, dangerous, sexy, absurd and, well, beautiful. Reading Humbert Humbert’s narration is like watching a trainwreck: I was fully aware of what a total psycho he is, but also completely mesmerized by him. 

It’s this vein of simultaneous beauty and horror that is the core of Lolita. It is heartbreaking and actually touching to experience Humbert’s completely consuming love for Dolores Haze, and horrifying and infuriating at the same time. As the reader, my brain saw all of the ways in which Humbert was a downright detestable human being even through his manipulative spin. But he could turn around and spin it again with total self-deprecation to the point where I felt truly, deeply sorry for him.

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#54 - White Teeth, by Zadie Smith

After reading both White Teeth and On Beauty, there are so many things I want to personally ask Zadie Smith to write about now, in the year 2011, for her next novel. Where her characters may be frustratingly recognizable from one novel to the next, her commentary on the very tangled webs of social issues is unparalleled in my reading experience. 

Smith’s greatest strength is her mastery of vernacular, slang, wordplay, and voice. To read a character’s, or even what sounds like Smith herself’s inner monologue, nimbly speeding along the sinew between bemused and snarky, is like riding a roller coaster over strewn bodies, victims of her glaring exposure. I noted that White Teeth seems markedly more cynical than On Beauty; where On Beauty loved its characters, White Teeth, with the exception of Irie and Clara, pitied them. And its effectiveness does not sway from character to character. Smith is equally adept at the righteous though unchanneled anger of a wandering delinquent, to the flurried anger of a feisty Bangladeshi immigrant who will be the last to admit her bewilderment at the new country she’s found herself in.

White Teeth’s main focus is culture clash; that between religions, countries of origin, the sexes, and generations. It’s not so much that she offers solutions to these clashes, but points out the very hypocrisy in the way people treat and regard each other, alarming us into taking notice next time we start to slip into such cynicism and anger. 

#151 - Possessing the Secret of Joy, by Alice Walker

After a long hiatus that started out with broaching Dickens’s Bleak House and degenerated into wildly inconsistent work schedules and a short stint in South America, I’m attempting to restart this with some regularity. 

I started Alice Walker’s Possessing the Secret of Joy on the plane to Peru and could not manage to sustain reading it while dealing with the personal and immediate strife of being alone in a strange country. Read: this book is heavy. Very much not in the literal sense, though; it’s an incredibly quick read. Rather it deals a pretty harsh blow of the worst kind of suffering imaginable in no uncertain, euphemistic terms.

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Currently wading through Bleak House by Charles Dickens, so it may be a while before my next post. Thanks to those of you following!

Currently wading through Bleak House by Charles Dickens, so it may be a while before my next post. Thanks to those of you following!

#33 Middlesex, by Jeffrey Eugenides

I love, love, love this book.

No, it’s not perfect. Heavy on symbolism, at times a little too heavy. Certain conceits, like the repeated use of “But in [name of city] in [year]…” what seemed like every few paragraphs. And perhaps the ending felt a little rushed after the chapters and chapters of depth spent on the narrator’s ancestors.

Okay, so yes. Middlesex can be nitpicked and one can turn one’s nose up at it. But why bother? When it is so rich and loving and funny and brimming with characters so finely created it’s like watching them in Hi-Def television? I felt like I could see every wrinkle in Desdemona’s face.

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#772 - Where Angels Fear to Tread, by E.M. Forster

Well, I would like a plane ticket to the Italian countryside now, please and thank you. 

Very much a celebration of the pleasures and beauty of romance and life, E.M. Forster’s use of the fictional Tuscan town of Monteriano as both a character and an aphrodisiac is pretty enchanting. It’s funny, because the same two days I was reading this book, I was also watching an Italian film, and reconnecting with my Italian cousin from Long Island, so I felt overwhelmed and completely enamored with the passion for life and strength of emotions that poured forth from the Italians, whether fictional or familial. Architecture, form of travel, social expectations may have changed, and of course it’s a bit of a generalization, but between Gino in Forster’s novel, the characters in L’Ultimo Bacio, and my lovestruck cousin, there is so much Italian emotion animating around me right now and I love it.

The scene that was most vivid to me writing-wise was that in which Philip and Miss Abbot stand in the tower as the sun set. Forster’s ability to weave the description of the physical beauty of the scene with the emotional effect it has on the cynical and distant Philip and upright, strictly morally coded Miss Abbot, both English, was positively potent. 

Overall, this short book (192 pages, though I read it online in 2 days) is like a mini whirlwind trip through the Italian countryside, and the effect Gino has on the English ladies in the novel may just have the same effect on the reader. Mrs. Herriton and her family have adhered to social traditions and passed down morals so old and cold that none of the English characters in the novel really know why they are “right” anymore. Perhaps living for pleasure and romance isn’t so “wrong” after all.